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Live Music With Liz Crosthwaite

Published 14 Jul 2011 18:30 Mobiles Print Comments 5 Comments

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Decisions: A member of Variety And Milk, finally settling on which instrument to play

Joining the dots

IF you were looking to sate a large and varied musical appetite last week, then you'd need not have looked further than DoubleDotBash at South Street Arts Centre and RISC in Reading.

With LOADS of bands over three stages, it was hard to pick who to see, but a game warm-up early in the afternoon came in the form of Gonzo And The Razz with their enjoyable Kinks-influenced 60s pop'n'roll, which brought some sunshine into South Street's very, very dark main room. Next up, was Stuart Clark - a sign of the dramatic shifts in genre and style that the day encompassed - where most of the audience flopped to the floor to listen to his almost painfully gentle folk ballads.

Now for something completely different: Dolly Dolly, a sinister-looking yet jolly balding man sat on stage fiddling with an Apple Mac. Through said machine he filled the room with plinky-plonky-beepy sounds, ocean-noises, static and radio samples - more aural art installation than gig, it was like listening to someone re-tuning a radio every few minutes, but - and don't ask me to explain why, maybe it was the cider - better than it sounds.

A stop-in for Tilehurst Children's Arkestra in the smaller South Street room delivered up a powerful wall of instrumental rock - a forceful antidote to all those people who whine 'but music's lame without lyrics' - that left brains vibrating for hours afterwards.

Quiet Quiet Band played a lively set of their cheekily macabre songs in a disconcertingly sunny room upstairs at RISC, and were swiftly followed by Variety And Milk, a rag-tag group who like to swap about their wide range of instruments between - and sometimes during - their bewitchingly knowing folk songs. Despite a poor choice of name, the debut gig by Reading supergroup Jettes was a storming set that transported us back to the 60s with scuzzy, goth-tinged post-punk with pop sensibilities. Minotaur Shock, a man with a electric drum kit and a sampler, created a wave of electronica in the main room that was not only intricate and interesting, but damn good fun to dance to, while over at RISC, Sleeps In Oysters produced a cross between electronica and... a mess? Performance art? Who knows. A suitably raucous, drum-abusing set from Amy's Ghost rounded off the 11 hour music binge.

This article appeared in Villager 14 Jul 11

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